randian | 燃点

The Bitcoin bubble appears to have popped finally but blockchain cryptography technology is just getting started. >> Read more

Simchowitz's controversial business model, obstinate personality, omnipresence on social media, and big mouth have consistently earned him a spot at the center of heated and polarized debates about his policy of aggressively stockpiling emerging artists' work so as to compete with galleries and dealers for their market share. >> Read more

The 9th Berlin Biennale for Contemporary Art seeks to materialize the digital condition and the paradoxes that increasingly make up the world in 2016 >> Read more

Ota Fine Arts is pleased to announce to open a new gallery space at Gillman Barracks in Singapore in September, 2012. >> Read more

Pearl Lam Galleries participates in Art14 London，Presenting Choi Jeong Hwa, Jenny Holzer, Li Huasheng, Li Xiaojing, Su Xiaobai, Juju Sun, Michael Chow aka Zhou Yinghua ~O-O~, and Zhu Jinshi. >> Read more

Chris Moore spoke with Josh Baer, discussing how he does what he does, and solicited his opinion of the VIP virtual art fair, art funds, gallery-collector ‘loans,’ and the difficult question of art market transparency. >> Read more

Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions. >> Read more

Steyerl's work is so cogent because, as a provocateur, she is able to coherently foreground the mechanisms of art that have long been buried and ignored. As Steyerl herself says: Too Much World. >> Read more

Art Basel is a show, not a fair. The distinction, albeit self-assumed, is critical. The third year of Art Basel Hong Kong was a success— as predicted, as organized, as executed, as reported...
 
 
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One of the core genre tools often deployed for exhibitions intended to invite public participation is, of course, participatory art. “Inflation!” wisely steers away from anything knotty and relational, instead opting for a more literal form of visitor-work interaction that also makes space for unorthodox relationships between visitors. >> Read more